Magritte painted two versions of
The Listening Room (of which this is the 1958 version), an image of an enormous
apple occupying the space of an entire room.
This continues to be one of the artist's most enticing paintings to
analyze.
The apple is either humongous or
the room is tiny. One is an
impossibility, but the other is simply inexplicable. If this is indeed an "apple-sized
room" (haha…sorry, that's funny to say), then where are we, the made-up
land of Lilliput? The presence of the
window on the left makes this mystery all the more tantalizing; for we would
surely be able to tell where we are if we could only get a glimpse outside this
window. But the artist has cut that
section off of the painting. We are
instead left with a closed room which appears to contain no doors. How did we get in this enclosed space? What's more, how did the apple get here? It is thrown into this scene without
explanation—and yet our mind tells us what we are seeing and instantly tries to
resolve the chaos of the situation. The
room looks normal enough; the apple looks normal enough—it's just, their
relation is utterly incompatible. And
this is called The Listening Room, strangely enough, evoking an entirely new
context under which to view the artwork.
Neither the walls of the room nor the apple would make noise, would
they? So, theoretically, this scene
should be one of silence. Then…what are
we "listening" to? This
painting appears to be all a visual puzzle, so how could the sensation of sound
bear any relevance whatsoever to this scene?
And yet, our reaction to the painting changes when we hear the title,
doesn't it? We become aware of the
quietness of this scene—a ridiculous awareness, since this painting has practically
nothing to do with sound. The absurdity
of Surrealist paintings such as The Listening Room afforded artistic expression
to a growing Absurdist literary movement, which peaked in the famous writings
of Algerian-French writer/philosopher Albert Camus. In Postmodernism, the movement became fully
realized in the advent of Existentialism.
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