As we get closer and closer to
Modernism in art, a new wave of artistic style is developed called
Realism. The initial stages of Realist
development in Western art history was concerned with exactly what you might think:
depicting things realistically. This is not the same as painting in the style
of photorealism, which was simply a device for making images look
three-dimensional and life-like. The
realistic elements of this type of art form dealt with a different worldview—not
so much how one paints but what one paints. The early Realists asserted themselves by
choosing not to exclude a scene's more racy or ugly elements so that they might
paint an accurate picture of the world as it truly is. We will see this in a little while more as a
shift in focus, from aristocratic to middle-class subject matter, from majestic
Greco-Roman themes to images of everyday life.
One way to see it is to remember Géricault's Raft of the Medusa, in
which the artist did not hold back from displaying the haggard and naked bodies
of suffering men—not necessarily an image we want to see, but nonetheless an
image that we can see is real. (Of
course, Géricault painted his scenes in a quintessentially Romantic way, as we
saw; but the concepts for future Realist painters were set down in artworks
such as that). For now, however, the
early forms of Realism combined with Romantic techniques in highly stylized
images of Romantic subject matter, such as nature.
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