Courbet's Stone Breakers is also
another of the artist's great works that receives a lot of attention from
critics and scholars today—perhaps more so due to the intrigue of its
history. Actually, it is considered as
one of the foremost important staples of Realist art and probably even the most
definitive example of Realism.
It is a painting of two simple
laborers, poor men, wearing rags. We
cannot see the face of either, but one is an older man, one a younger. Interestingly enough, Courbet has placed them
in order, like a timeline. Perhaps the
second image is the boy grown up, or the future generation, all one man. This faceless worker is forecasted to
continue laboring as a poor man for the rest of his life, breaking up stones
for railway constructions or whatever purpose.
As viewers we never learn who these two figures are, and we never see
them for anything but the labor they are performing. On Courbet's canvas, these two heads will be
turned away from us forever, keeping us from ever knowing them; and that, the
artist wanted to observe, is the neglect tolerated by the lower class. Courbet wanted to loudly observe this, so he
painted this unattractive scene on a humongous canvas, 5' x 8'. During World War II, this painting was
destroyed by the Nazis.
It's important to observe the
shifting focus onto the lower class at this time as stemming largely from
political movements, not just artistic ideas.
Art is mimicking the world around it, not the other way around. With the 1848 revolutions taking place all
over Europe it was no wonder that Realists turned to the subject matter of the
common people; their voices were being heard then for the first time in such a
public manner. And around this time the
ideas of class systems were being published, most notably by Karl Marx in his Communist Manifesto, produced in
1848. Courbet began painting this work,
The Stone Breakers, just a year after it was published.
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