If it's heroes taking the stage of
mid-19th century Romantic paintings, then the Industrial Revolution
saw the entrance of a new kind of hero.
With an increased labor force in England, the rise of the middle class
was quickly underway. As industry grew,
so did the number of factory and mill workers; and as their visibility in the
public sector grew, so did their socioeconomic influence, culminating in
Parliament's passage of the Reform Bill of 1832. This bill allowed for a wider range of
suffrage to more middle-class towns and forever changed British government. But this was not simply a political movement;
the revolution was also an ideological one.
Behind the rise of the middle class we should see the influence of
Romantic philosophy, established under the groundwork of earlier Enlightenment
thought. If nature's holiness could be
transmuted to the people who freely lived within it, then a higher view of the
agrarian farmer, the middle-class worker out in the fields, certainly is in
order. Separate from the corrosive
influence of society, common workers like these Gleaners became a more highly
regarded emblem of ideological and spiritual perfection.
The tranquility of nature is meant
to be communicated here, very much like the landscape paintings of John
Constable and Thomas Cole. And look how
artist Jean-François Millet paints this scene: using soft colors and smooth
brushstrokes. Never mind that the work
of gleaning in harvesting fields is hard and exhaustive labor, the scene is
affectionately painted because of its closeness with nature—that is its theme. This painting (produced in 1857) crosses the
art history timeline also, much as I said David's work could be considered
alternately Romantic and Neoclassical.
For its depiction of the middle class, Millet's Gleaners is sometimes
categorized under the Realist Period of art, but, again, with these crossovers
it's hard to strictly define a work of art coming out of the 19th
century.
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