One of the most prevalent themes
became known by the Latin word "vanitas," from which we derive the
English word "vanity." A
vanitas still life is an image in which all objects symbolize the theme of the
transience of life. That is a very important
phrase: "the transience of life."
Life is not going to go on forever; it will end (and this bears implicit
religious connotations as well—to remind viewers to live religiously in order
to go to Heaven). The objects are all
placed out on display for us, but they are inanimate, robbed of life, still.
No matter how ornate, expensive, desirable, or beautiful these objects
might be, they will never be moved from the eternal position in which they lay
on the canvas, and we as viewers of the paintings can never remove them. Often we see paintings of fruits and
extravagant foods laid out on a table to be eaten, and yet no one is around to
eat. What a shame to leave the fruit there
unattended—it will surely go bad!
"The grass withers and the flower fades," says the vanitas
message of the painting, "but the Word of the Lord is forever"—the
message of His truth and the inevitable reality of death are as enduring as the
works of art themselves.
Even more solemnly are placed in
still lifes evidences of human life that has left and left in a hurry. This is the meaning behind the tipped glass
that appears in so many artworks of this genre.
It implies that the person handling the object was suddenly called
away—no one knows why. A snuffed candle,
objects in disarray, half-peeled fruit, and tablecloth that is falling off the
table all show that the host or hostess left before they could finish their
tasks, and that they were called away too soon by an incontrovertible call
(perhaps the call of death when its time has come). Jewelry no longer has an owner, books no
longer have a reader, no matter how expensive or important. The people in these paintings are simply gone
and leave behind only remnants of things that they cannot take with them. You'll notice many times the flowers in these
paintings conceal small insects. In a
kind of post-apocalyptic tone, many painters decided to show Nature falling
back unto its own after the people have gone.
The bugs are free to eat away at the fruits and flowers. Also it was a chance for artists to
demonstrate their skill in filling their subject with endlessly interesting
finds that can be altogether new to the viewer even after years of owning
it. In my own experience from working at
a museum, I have been allowed the distinct opportunity of getting to spend
countless hours with paintings such as these.
Many times I would be called on to spend the entire day in the still
life galleries. There are often so many
hidden things in a still life that only come out from long hours spent alone in
a room, staring at them. To spot the
insects in the paintings became something of a game among us.
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